Wed, 02 Jul 2008 14:09:06 -0700 San Jose Museum of Art http://www.sanjosemuseumofart.org Podcast Maker v1.3.8 - http://www.lemonzdream.com/podcastmaker The San Jose Museum of Art is pleased to offer it's MUSE Award winning podcast. We strive to offer unique audio and video experiences that will help engage our visitors provoking thought and response. We invite you to subscribe to the SJMA PodCast so you will be informed of new content as it becomes available. We offer informational interviews with personalities from the art-world, downloadable exhibition tours for both our permanent collection and our temporary exhibits, and an occasional lecture. Let us know what you think by emailing: podcast@sjmusart.org! Visit our website at: www.sanjosemuseumofart.org. Please leave comments below! en 2006 http://creativecommons.org/licenses/by-nc-nd/2.5/ Chris Alexander calexander@sjmusart.org http://www.sjmusart.org/podcast/SJMA_PodCast_Logo_144.jpg http://www.sanjosemuseumofart.org 144 144 Visual Arts art, tour, museum, san jose, lecture, discussion, talk, audio no San Jose Museum of Art For the exhibition Road Trip in the fall, the San Jose Museum of Art is seeking your postcards from unique, fun and iconic vacation destinations that you travel to this summer. Road Trip runs from Sept. 19, 2008 - Jan. 25, 2009 at the SJMA. For the exhibition Road Trip in the fall, the San Jose Museum of Art is seeking your postcards from unique, fun and iconic vacation destinations that you travel to this summer. The postcards will be available in the exhibition's interpretation area where visitors to the museum can peruse the cards at their leisure. In addition, you will be able to make and send your own card directly from the museum! Send your card to: Road Trip San Jose Museum of Art 110 South Market Street San Jose, CA 95113 The Road Trip exhibition runs from September 19, 2008 - January 25, 2009 at the San Jose Museum of Art. http://www.sjmusart.org/m/exhibitions/roadtrip/roadtrip_iphone.m4v Wed, 02 Jul 2008 14:05:26 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Brief introduction to Senior Curator JoAnne Northrup's exhibition Robots: Evolution of a Cultural Icon. In it she talks about how the exhibition came about and the influence of popular culture. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/intro/curator_intro.m4v Wed, 02 Apr 2008 10:44:53 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. JoAnne Northrup, Senior Curator at the San Jose Museum of Art, talks about artist Clayton Bailey, whose robot family in the SJMA Permanent Collection will be featured in the exhibition Robots: Evolution of a Cultural Icon. She talks about his influence on the exhibition and his popular robot sculptures. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/bailey/curator_bailey.m4v Wed, 02 Apr 2008 10:44:01 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. We traveled to Port Costa where we spent the better part of the morning touring Clayton Baileys property and studio. The morning was entertaining and interesting. Bailey talks here about his robot sculptures - how they are made and creating a personality in them. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/bailey/artist_bailey.m4v Wed, 02 Apr 2008 10:43:44 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Senior Curator JoAnne Northrup speaks of artist Nemo Gould and his early influence by artist Clayton Bailey. She also talks about his works in the Robots exhibition, "Little Big Man" and "General Debris". For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/nemo/curator_nemo.m4v Wed, 02 Apr 2008 10:43:13 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Kinetic sculptor Nemo Gould took us on a fascinating tour of his studio/workspace. He talks about his robot creations and talks about the robot that he is specifically building for the exhibition Robots: Evolution of a Cultural Icon. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/nemo/artist_nemo.m4v Wed, 02 Apr 2008 10:43:03 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. For this label Curator JoAnne Northrup talks about how art history has influenced the work of Eric Joyner. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/joyner/curator_joyner.m4v Wed, 02 Apr 2008 10:42:22 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Robot/Donut artist Eric Joyner invited us to his studio in San Francisco where he talks about his process and why he chose robots and donuts as subject matter. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/joyner/artist_joyner.m4v Wed, 02 Apr 2008 10:41:56 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Talking about the unique quality of David Pace's photographic work, Senior Curator JoAnne Northrup, touches on his post-modernist ideas of taxonomies and deconstruction. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/pace/curator_pace.m4v Wed, 02 Apr 2008 10:41:32 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Photographer David Pace speaks in his studio about his "Collection" series of photographs, of which there are two works from in the Robots exhibitions, and robots as an influence in his life and work. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/pace/artist_pace.m4v Wed, 02 Apr 2008 10:41:10 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Robots Curator JoAnne Northrup talks about the work of Lisa Solomon and how she transforms the notion of robots through the use of domestic processes like quilting. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/solomon/curator_solomon.m4v Wed, 02 Apr 2008 10:40:49 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. We headed up to East Oakland to speak with artist Lisa Solomon at her studio for this label. She talks about her work in Robots as well as her place in the lineage of feminist artist. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/solomon/artist_solomon.m4v Wed, 02 Apr 2008 10:40:33 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. Senior Curator JoAnne Northrup talks about what sets new media artist Gail Wight apart from other new media artists. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/wight/curator_wight.m4v Wed, 02 Apr 2008 10:37:19 -0700 Visual Arts no 00:00:00 art, tour, museum, san jose, lecture, discussion, talk, audio San Jose Museum of Art For Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for 6 works. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. Show runs April 12 - October 19, 2008. For this label we interviewed artist Gail Wight in her studio at Stanford University. We spoke with her about her scientific influences, her fascination with robots, and two of her works in the exhibition. For the exhibition Robots: Evolution of a Cultural Icon the San Jose Museum of Art created "Video Labels" for around the work of 6 artists. The artists are Clayton Bailey, Eric Joyner, Nemo Gould, Gail Wight, Lisa Solomon and David Pace. For each artist there is a "Curators Label", where Senior Curator JoAnne Northrup speaks about the artist, and an "Artist Label", where the artist talks about their work. Show runs April 12 - October 19, 2008. Robots: Evolution of a Cultural Icon examines the development of robot iconography in fine art over the past 50 years. In 1920, the term robot was coined from a Czech word robota, which means tedious labor. Since then, the image and the idea of a robot have evolved remarkably from an awkward, mechanical creature to a sophisticated android with artificial intelligence and the potential for human-like consciousness. As robotic technology catches up with the wild imagination of science fiction novels, movies, and animation, dreams and fears anticipated in these stories may also become reality. Artists included in the exhibition have responded to the technological innovation with optimism, pessimism, and humor, presenting work that ultimately explores our ambivalent attitudes towards robots. http://www.sjmusart.org/m/artists/wight/artist_wight.m4v Wed, 02 Apr 2008 10:27:07 -0700 Visual Arts no 00:00:00 san, jose, museum, art, sjma, gail, wight San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/100%20-%20Goya%20Introduction.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:04:18 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/1%20-%20Goya%20Plate%20%232.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:05 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/2%20-%20Goya%20Plate%20%233.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:00:51 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/3%20-%20Goya%20Plate%20%236.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:20 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/4%20-%20Goya%20Plate%20%237.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:04 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/5%20-%20Goya%20Plate%20%239.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:16 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/6%20-%20Goya%20Plate%20%2312.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:20 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/7%20-%20Goya%20Plate%20%2317.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:28 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/8%20-%20Goya%20Plate%20%2323.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:31 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/9%20-%20Goya%20Plate%20%2332.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:21 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/10%20-%20Goya%20Plate%20%2337.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:16 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/11%20-%20Goya%20Plate%20%2340.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:16 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/12%20-%20Goya%20Plate%20%2343.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:29 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/13%20-%20Goya%20Plate%20%2351.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:26 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/14%20-%20Goya%20Plate%20%2354.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:11 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/15%20-%20Goya%20Plate%20%2356.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:20 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/16%20-%20Goya%20Plate%20%2368.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:20 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/17%20-%20Goya%20Plate%20%2369.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:15 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/18%20-%20Goya%20Plate%20%2375.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:20 san, jose, museum, art, sjma, goya San Jose Museum of Art Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil. http://www.sjmusart.org/podcast/19%20-%20Goya%20Plate%20%2380.m4v Fri, 25 Jan 2008 09:27:07 -0800 Visual Arts no 00:01:40 san, jose, museum, art, sjma, goya SJMA PodCast Artist of the Week is now titled The Buzz@SJMA. Download this episode along with the previous AOTW episodes for Liu, Zajac, Misrach, Kaufman and Campbell during our current Permanent Collection exhibit (7/28/07-3/23/08) to enhance your visit. For this episode of The BUZZ we spoke with artist/photographer Edward Burtynsky by phone from his studio in Toronto. Burtynsky speaks about his style and technique, in addition to discussing his photograph, Oil Fields 19a and 19b, Belridge, CA in the San Jose Museum of Art permanent collection. Artist of the Week is now titled The BUZZ @ SJMA. Download this episode along with the previous AOTW episodes for Hung Liu, Jack Zajac, Ricard Misrach, Amy Kaufman and Jim Campbell during our current Permanent Collection exhibit (7/28/07-3/23/08) to enhance your visit. The BUZZ @ SJMA is our ongoing series featuring artists from our Permanent Collection. This insider commentary features artists, gallerists, curators and friends to give you a glimpse into each artists creative process. You can subscribe on the iTunes Store or on YouTube at www.youtube.com/sanjosemuseumofart. Enjoy! http://www.sjmusart.org/podcast/BUZZ_EdwardBurtynsky.m4v Fri, 30 Nov 2007 16:17:58 -0800 Visual Arts no 00:04:09 Edward, Burtynsky, art, tour, museum, san jose, lecture, discussion, talk, audio SJMA PodCast In this episode for the exhibition De-Natured: Works from the Anderson Collection curator Heather Green talks about the ideas behind the exhibition and the Anderson art collection; on view at the San Jose Museum of Art Oct. 13, 2007 - Jan. 6, 2008. The San Jose Museum of Art is pleased to offer this audio tour to compliment your visit to the exhibition De-Natured: Works from the Anderson Art Collection. In it you will hear commentary by curator Heather Green, interviews with several of the artists in the exhibition, and insight into the collection provided by Harry W. Anderson himself. You can download it to your iPod or other audio device for your next visit to the museum! In this episode for the exhibition De-Natured: Works from the Anderson Collection curator Heather Green talks about the ideas behind the exhibition and the Anderson art collection; on view at the San Jose Museum of Art Oct. 13, 2007 - Jan. 6, 2008. Broadly defined, to denature is to change the character or condition of something. In the milieu of contemporary painting, sculpture, and work on paper seen in this exhibition, it is the connection between artist and nature that has changed. Gone are the romantic vistas and picturesque scenes of traditional landscape painting. Instead we find images of pollution and alienation that mirror the post-war urban-industrial landscape, depictions in which artistic media have been pressed into embodiments of natural elements (and vice versa), and abstractions that highlight a distance between the world perceived and the world represented. Featuring works by artists such as Wayne Thiebaud, Roy DeForest, David Hockney, Vija Celmins, Ed Ruscha, Frank Stella, Louise Nevelson, and Richard Diebenkorn, the art of De-Natured presents a sampling of the many ways that artists have engaged with their changing environs. At a time when we are increasingly “growing up denatured,” as one New York Times writer recently described the divide between urban and pastoral life, these artistic collisions with nature (or its absence) have much to tell us about our own relationships with the environment, both natural and urban. This exhibition was curated by Heather Pamela Green, a doctoral candidate in Art History at Stanford University, and features work drawn from the Collection of Harry W. and Mary Margaret Anderson, as well as the Fine Arts Museums of San Francisco's Anderson Graphic Arts Collection. http://www.sjmusart.org/podcast/DeNatured_Introduction.m4a Thu, 11 Oct 2007 12:24:23 -0700 Visual Arts no 00:03:04 heather, green, anderson, collection, art, tour, museum, san jose, lecture, discussion, talk, audio SJMA PodCast In this episode William Allen speaks about his large scale painting, Half a Dam, in the exhibition De-Natured: Works from the Anderson Collection; on view at the San Jose Museum of Art October 13, 2007 - January 6, 2008. The San Jose Museum of Art is pleased to offer this audio tour to compliment your visit to the exhibition De-Natured: Works from the Anderson Art Collection. In it you will hear commentary by curator Heather Green, interviews with several of the artists in the exhibition, and insight into the collection provided by Harry W. Anderson himself. You can download it to your iPod or other audio device for your next visit to the museum! In this episode William Allen speaks about his large scale painting, Half a Dam, in the exhibition De-Natured: Works from the Anderson Collection; on view at the San Jose Museum of Art October 13, 2007 - January 6, 2008. Broadly defined, to denature is to change the character or condition of something. In the milieu of contemporary painting, sculpture, and work on paper seen in this exhibition, it is the connection between artist and nature that has changed. Gone are the romantic vistas and picturesque scenes of traditional landscape painting. Instead we find images of pollution and alienation that mirror the post-war urban-industrial landscape, depictions in which artistic media have been pressed into embodiments of natural elements (and vice versa), and abstractions that highlight a distance between the world perceived and the world represented. Featuring works by artists such as Wayne Thiebaud, Roy DeForest, David Hockney, Vija Celmins, Ed Ruscha, Frank Stella, Louise Nevelson, and Richard Diebenkorn, the art of De-Natured presents a sampling of the many ways that artists have engaged with their changing environs. At a time when we are increasingly “growing up denatured,” as one New York Times writer recently described the divide between urban and pastoral life, these artistic collisions with nature (or its absence) have much to tell us about our own relationships with the environment, both natural and urban. This exhibition was curated by Heather Pamela Green, a doctoral candidate in Art History at Stanford University, and features work drawn from the Collection of Harry W. and Mary Margaret Anderson, as well as the Fine Arts Museums of San Francisco's Anderson Graphic Arts Collection. http://www.sjmusart.org/podcast/DeNatured_Allen.m4a Thu, 11 Oct 2007 12:24:17 -0700 Visual Arts no 00:04:16 william, allen, anderson, collection, art, tour, museum, san jose, lecture, discussion, talk, audio SJMA PodCast In this episode William T. Wiley talks about his marker and watercolor work on paper in the exhibition De-Natured: Works from the Anderson Collection and sings an original song; on view at the San Jose Museum of Art October 13, 2007 - January 6, 2008. The San Jose Museum of Art is pleased to offer this audio tour to compliment your visit to the exhibition De-Natured: Works from the Anderson Art Collection. In it you will hear commentary by curator Heather Green, interviews with several of the artists in the exhibition, and insight into the collection provided by Harry W. Anderson himself. You can download it to your iPod or other audio device for your next visit to the museum! In this episode William T. Wiley talks about his marker and watercolor work on paper in the exhibition De-Natured: Works from the Anderson Collection; on view at the San Jose Museum of Art October 13, 2007 - January 6, 2008. He also sung an original song, that accompanies the episode, to us. Broadly defined, to denature is to change the character or condition of something. In the milieu of contemporary painting, sculpture, and work on paper seen in this exhibition, it is the connection between artist and nature that has changed. Gone are the romantic vistas and picturesque scenes of traditional landscape painting. Instead we find images of pollution and alienation that mirror the post-war urban-industrial landscape, depictions in which artistic media have been pressed into embodiments of natural elements (and vice versa), and abstractions that highlight a distance between the world perceived and the world represented. Featuring works by artists such as Wayne Thiebaud, Roy DeForest, David Hockney, Vija Celmins, Ed Ruscha, Frank Stella, Louise Nevelson, and Richard Diebenkorn, the art of De-Natured presents a sampling of the many ways that artists have engaged with their changing environs. At a time when we are increasingly “growing up denatured,” as one New York Times writer recently described the divide between urban and pastoral life, these artistic collisions with nature (or its absence) have much to tell us about our own relationships with the environment, both natural and urban. This exhibition was curated by Heather Pamela Green, a doctoral candidate in Art History at Stanford University, and features work drawn from the Collection of Harry W. and Mary Margaret Anderson, as well as the Fine Arts Museums of San Francisco's Anderson Graphic Arts Collection. http://www.sjmusart.org/podcast/DeNatured_Wiley.m4a Thu, 11 Oct 2007 12:24:11 -0700 Visual Arts